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INAUGURATION 2029

Marie: I don't know why this video came up on my YouTube recommendations, but it did. I watched it on a large-ish teevee, and I found it fascinating. ~~~

 

Hubris. One would think that a married man smart enough to start up and operate his own tech company was also smart enough to know that you don't take your girlfriend to a public concert where the equipment includes a jumbotron -- unless you want to get caught on the big camera with your arms around said girlfriend. Ah, but for Andy Bryon, CEO of A company called Astronomer, and also maybe his wife, Wednesday was a night that will live in infamy. New York Times link. ~~~

Commencement ceremonies are joyous occasions, and Steve Carell made sure that was true this past weekend (mid-June) at Northwestern's commencement:

~~~ Carell's entire commencement speech was hilarious. The audio and video here isn't great, but I laughed till I cried.

CNN did a live telecast Saturday night (June 7) of the Broadway play "Good Night, and Good Luck," written by George Clooney and Grant Heslov, about legendary newsman Edward R. Murrow's effort to hold to account Sen. Joe McCarthy, "the junior senator from Wisconsin." Clooney plays Murrow. Here's Murrow himself with his famous take on McCarthy & McCarthyism, brief remarks that especially resonate today: ~~~

     ~~~ This article lists ways you still can watch the play. 

New York Times: “The New York Times Company has agreed to license its editorial content to Amazon for use in the tech giant’s artificial intelligence platforms, the company said on Thursday. The multiyear agreement 'will bring Times editorial content to a variety of Amazon customer experiences,' the news organization said in a statement. Besides news articles, the agreement encompasses material from NYT Cooking, The Times’s food and recipe site, and The Athletic, which focuses on sports. This is The Times’s first licensing arrangement with a focus on generative A.I. technology. In 2023, The Times sued OpenAI and its partner, Microsoft, for copyright infringement, accusing the tech companies of using millions of articles published by The Times to train automated chatbots without any kind of compensation. OpenAI and Microsoft have rejected those accusations.” ~~~

     ~~~ Marie: I have no idea what this means for "the Amazon customer experience." Does it mean that if I don't have a NYT subscription but do have Amazon Prime I can read NYT content? And where, exactly, would I find that content? I don't know. I don't know.

Washington Post reporters asked three AI image generators what a beautiful woman looks like. "The Post found that they steer users toward a startlingly narrow vision of attractiveness. Prompted to show a 'beautiful woman,' all three tools generated thin women, without exception.... Her body looks like Barbie — slim hips, impossible waist, round breasts.... Just 2 percent of the images showed visible signs of aging. More than a third of the images had medium skin tones. But only nine percent had dark skin tones. Asked to show 'normal women,' the tools produced images that remained overwhelmingly thin.... However bias originates, The Post’s analysis found that popular image tools struggle to render realistic images of women outside the Western ideal." ~~~

     ~~~ Marie: The reporters seem to think they are calling out the AI programs for being unrealistic. But there's a lot about the "beautiful women" images they miss. I find these omissions remarkably sexist. For one thing, the reporters seem to think AI is a magical "thing" that self-generates. It isn't. It's programmed. It's programmed by boys, many of them incels who have little or no experience or insights beyond comic books and Internet porn of how to gauge female "beauty." As a result, the AI-generated women look like cartoons; that is, a lot like an air-brushed photo of Kristi Noem: globs of every kind of dark eye makeup, Scandinavian nose, Botox lips, slathered-on skin concealer/toner/etc. makeup, long dark hair and the aforementioned impossible Barbie body shape, including huge, round plastic breasts. 

New York Times: “George Clooney’s Broadway debut, 'Good Night, and Good Luck,' has been one of the sensations of the 2024-25 theater season, breaking box office records and drawing packed houses of audiences eager to see the popular movie star in a timely drama about the importance of an independent press. Now the play will become much more widely available: CNN is planning a live broadcast of the penultimate performance, on June 7 at 7 p.m. Eastern. The performance will be preceded and followed by coverage of, and discussion about, the show and the state of journalism.”

 

Contact Marie

Email Marie at constantweader@gmail.com

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Sunday
Nov142010

Constant Weader -- I get a lot of supportive letters from readers, and some hilarious pans, too, but this post in the Democratic Underground is really something:


Marie Burns has built a cult following and a blog based on her trenchant comments on New York Times op-ed pieces. Today she adds another dimension to Paul Krugman's piece, "The World As He Finds It."

http://www.nytimes.com/2010/11/15/opinion/15krugman.htm...

Marie's take:

-edit-

"... we were in trouble not because we had been governed by people with the wrong ideas, but because partisan divisions and politics as usual had prevented men and women of good will from coming together to solve our problems."

This of course the pose that made Obama famous in his 2004 convention speech: "... there's not a liberal America and a conservative America; there's the United States of America...." I'm not much of an historian, so I'm not sure any other single speech has ever created a President, but it could be argued that this one did. Even though I live in Republicanland, the day after the 2004 election, when I was totally down in the dumps, a car passed me by sporting a bumper sticker that read "Obama 2008." Cheered me right up.

We all want to believe the sentiments of the 2004 speech. But adults with clear views of the political landscape know better. I expect Obama, who has borne the brunt of the untruthiness of his inspiring fantasy, knows better, too. But. But. It is the pose that made him, and he seems incapable of escaping it. In fact, even a casual observer can now see Obama has no interest in trying to escape the illusion of kumbaya America.

However, we err in believing Obama "just doesn't get it"; that his waffling and repeated capitulations to Republicans, to China, to whatever counterforce he meets -- are the result of his naivete or inexperience or lack of a skill set. I think Obama knows just what he is doing. He believes in the correctness of the elite establishment. He is a David Brooks dream President. "The world as he finds it" is messy, and this is a guy who picks up his socks. He prefers the neat platitudes of the ruling class he has been invited to join. He admires those "smart businessmen" on Wall Street who financed his campaign. He likes to chat with "respectable" establishment newsmen like John Harwood & Steve Kroft (how many interviews has Obama given "60 Minutes"?). He enjoys the company of long-time lobbyists like Tom Daschle. The President of the United States likes smooth operators. It is his intention to be one of them.

The smooth operators are not inclined to cede any of their power to the riffraff that is the rest of us. They have, once again, a friend in the White House, and they're happy with that. If Mitch McConnell & John Boehner are not exactly la creme de la creme, they too do the bidding for the elite. They do it for the cash, if not for the cachet.

The President returned to Washington from Japan yesterday, and today his ostensible friends & foes in the Congress will be back to bicker. Obama may have missed the kabuki theater in Japan, but he'll be right at home in Washington where he will star once again in a very familiar kabuki dance. We in the hinterlands are the captive audience of this stylized drama, a form of theater that holds few surprises and inevitably ends tragically for us. (All emphases D/U.)

For a better comment on Krugman's column, check out Karen Garcia's (#10) masterpiece. And recommend it!

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